STUDIO OF ELECTRONIC ART

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Studio of Electronic Art News

Second life work by Masters of Electroinc student Julian Stadon

SEA

The Studio for Electronic Arts(S.E.A.) in the Department of Art at Curtin University of Technology, Western Australia constitutes a new field of practice leading to a transition for many of the traditional artistic forms and attitudes. The Studio for Electronic Arts involves inter-disciplinary and collaborative work between individuals possessing collectively a wide range of creative skills and expertise. These creative skills are needed as new roles for the arts call for radically new values, and new artistic and cultural strategies. More info>>

CALL FOR WORK

New digital initiative for artists is an Australian first

Portfolio: Culture and the Arts

An Australian-first initiative will give Western Australian artists an opportunity to reach and interact with new audiences through ABC television and online.
Culture and Arts Minister Sheila McHale said the iArts project would partner selected WA artists and musicians with WA producers to create interactive works that could be streamed online, podcast, vodcast or broadcast on mobile networks and on ABC TV.
“iArts is the first initiative of its kind in Australia and is an excellent example of cross-industry collaboration,” Ms McHale said.“It will give WA artists an opportunity to develop critical online business skills which will help them profile their work nationally and internationally.
“The applications for digital technology are exciting. For example, a project might be created around a performance piece, whereby ABC online streams the rehearsal process live and the audience has opportunities to comment and possibly input into the direction of the piece. ABC2 may later show an edited version of the rehearsals and how the piece came together, and ABC1 may run the completed performance piece.”
The Minister said the WA Department of Culture and the Arts (DCA), ScreenWest and ABC TV had come together to fund the initiative, with $160,000 of the total budget going directly to the production of the two projects.
ABC TV director Kim Dalton said iArts was a significant new partnership which strengthened the relationship between WA arts organisations, the community and the ABC. “The ABC, through its digital broadcast and online platforms, can provide artists and filmmakers with opportunities to reach new audiences, to expand and develop new markets, to learn about rights management in the digital era and to experiment with new business models,” Mr Dalton said.

More information about iArts can be obtained from ScreenWest at http://www.screenwest.com.au

Applications close July 21 and successful projects will be announced in August.

Aesthetic Crossovers of Art and Science Unit- Semester Two 2008
Enrol now!
SymbioticA, University of Western Australia
Elective Unit: VISA2214
http://units.handbooks.uwa.edu.au/units/visa/visa2214 <http://units.handbooks.uwa.edu.au/units/visa/visa2214>
This Unit is a practical and theoretical investigation, through critical engagement, of the nexus and differences of the art and science cultures through the use of the technologies of life sciences/biotechnology as an art form. The unit is run through

SymbioticA: the art and science collaborative research laboratory.
Themes explored will include the culture of the artist and scientist; the sole genius versus the lab team; creative thinking and the system of hypothesis, control and experimentation; history and philosophy of science; genohype and examples of art and science collaborations in art history. International artists in residence at

Students from all disciplines are encouraged to enrol to include diverse discussions and skill sharing.
Contact: Ionat Zurr. ionat@symbiotica.uwa.edu.au
CREDIT: 6 points AVAILABILITY: Semester Two 2008

The Ecological Imagination: From Land Art to Bioart

MEDIA ART HISTORY 09: Re:live
Call for papers
Third International Conference on the Histories of Media Art, Science and Technology
Melbourne 26-29 November 2009
Call For Papers – Deadline 19th December 2008
 Following the success of Media Art History 05 Re:fresh in Banff and Media Art History 07 Re:place in Berlin, Media Art History 09 Re:live in Melbourne will host three days of keynotes, panels and poster sessions Media Art History 09 - Re:live, a refereed conference, is calling for papers, panels and posters on the histories of digital, electronic and technological media arts. With the theme of Re:live we are especially interested in expanding the range of topics to include sustainability, live arts and the technological arts of life, both organic and nonorganic.

Participants are asked to address at least one the following areas in their abstract: - histories of the art-science-technology connection in particular works, careers, exhibitions and institutions, especially in national and regional perspective - histories of biology, the life sciences and bioart in relation to media arts - histories of the environment, environmental sciences, ideas of sustainability and ecology in the discourses and practices of media arts - histories of liveness and performance in relation to media arts theory and practice, including network performance, multimedia performance and the relation of media to the histories of theatre - histories of the life of machines, cyborgs, virtual communities and the arts of transmission - histories of the liveness of real-time arts and art-science-technology collaborations in such areas as earth sciences, meteorology and astronomy - histories of innovation, accident, discovery, and speculation on alternative futures in media arts.
For submissions information visit http://www.mediaarthistory.org


Humanities Postgraduate Conference- Curtin University of Technology
Call for papers
Engaging place(s)/engaging culture(s)
5-6 November, 2008
Faculty of Humanities, Curtin University, Perth, Western Australia
http://hgso.curtin.edu.au/conference.cfm
What now are place and culture? Encompassing the themes of engaging place(s)/engaging culture(s), this interdisciplinary conference seeks to open spaces for the presentation and discussion of the full range of topics and methodologies through which Humanities postgraduate students now journey and interrogate worlds and texts: to provoke conversations about local spaces, diasporic spaces, sites of subjectivity, cultural knowledges, place as urban streets, as words on a page, as paint on a canvas; culture as translocal, transnational, multi-national, global, local ...

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BRITISH COUNCIL REALISE YOUR DREAM COMPETITION

The British Council is now calling for Australia’s best and brightest to
enter the 2008 Realise Your Dream competition. It’s a professional
development award open to all Australians aged under-30 who are involved
in creative industries. Winning candidates will be flown to the UK to work
with a mentor, and even get $8,000 to help live the dream. To go into the
running, applicants need to demonstrate their creative potential, and tell
us how they’ll benefit by connecting with Britain’s best. If they’re a
winner, we’ll help organise a personally tailored work experience
programme with a leader in their field.
In the past, placements have included fashion houses Luella, Burberry and
Lara Bohinc; time with creative director Tom Dixon at Habitat; Zaha Hadid
architects; BBC Interactive; advertising agency BB/Saunders; and textile
designers Timorous Beasties, The British Museum, independent record labels
- amongst many others.

For more information visit our website at www.realiseyourdream.org.au
<http://www.realiseyourdream.org.au> or email Raynee Dewar at
realiseyourdream@britishcouncil.org.au
<mailto:realiseyourdream@britishcouncil.org.au> with any questions.

Applications close 31 July 2008

 

 


 

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